
3D iPhone handmade

Main outcome | Shift+Control+Delete | WIP
I enjoy working on experimental animations so much.
So far I have only published here a couple of short reels
However, the main final result is in the making.
This is the ending that i am still working on. The script, published on another category here, explains my intentions.
short reel – gen z kids
I will upload them directly and onto Instagram as well as soon as possible for those who do not feel safe using TikTok (i dislike TikTok too but I see it as ‘necessary evil’ for communication)
However I chose to use it to reach the target audience – tweens/teens susceptible to social media addiction.
2D / 3D Work In Progress
Individual parts and how they were done
This is a mixture of my drawing and prompts
Using Runway ML and Midjourney image generator and my images
Critical Appraisal – FINAL
Critical Appraisal – Exploratory Practice
The aim of the unit was to learn and meet as many expected learning outcomes as possible.
Most importantly, trying to find my style as an auteur.
My journey started later than I intended as I was working on a client project two weeks into the unit.
During my journey through this unit I have experienced many difficulties.
Areas of difficulty:
- Decision-making on the final idea – changing my mind during the process.
- Meeting my own scheduling and time management.
- Putting too much workload of myself
- Unrealistic schedule.
If I worked in a team, perhaps it would have been realistic. Hence I commented on that possibility. I had researched animation production processes, roles and pipelines, trying to see where I fit in and how I could make my ideas come to life in a team.
This has, in turn, made me more enthusiastic about the idea of working in a team.
I have worked solo since everyone I had approached were already working on their projects, seemingly mostly on their own too.
Areas of strength:
I found out that I enjoy listening to others and was very interested in their ideas/processes.
Since the first interim, I was taking notes on other students’ work and ideas and reflected on how they could improve their workflow.
This is contrasting with the fact that I can not, yet, regulate my own workflow effectively.
I discovered that I am interested in people’s talents and enjoy giving advice and possible directions to take in their own work, or rather, how to implement it in a bigger picture.
I have been touched by people’s messages some of them very personal.
I found myself giving feedback a lot during the interim. However, the lack of time during the interims has made me less willing to speak to avoid taking time which was limited.
We have been talking about projects outside of the classroom and discussed them.
What surprised me was that I have found people’s schedules unrealistic and recognised this in their production plans. However, I was myself not on track.
We discussed how beneficial it would be to collaborate and many of us felt it would have been better to work in teams, or at least in pairs.
My second difficulty:
Thinking ‘too big’. I have been exploring other people’s work and creating contact lits and address books. Identifying other students’ strengths and their possible roles in a production.
As if I thought I could engage with them later on.
I failed to realise everyone has the same struggle and the unit was very busy – we all struggled with the schedule and it seemed impossible to try and collaborate in a rushed atmosphere.
Perfectionism is a flaw, what I have learnt is that I have a different profile and different difficulties.
I observed that many fellow animators ‘get stuck’ on in-betweening, colouring, character animation.
My experience was that I have produced many ideas, storyboards, animatics, and left them unfinished.
I have about eight different animatics stored.
I animated all the time but I could not help and put most emphasis on the ‘message’ and the bigger picture.
I have focused on making:
- Sets, characters, environments, mechanisms.
A whole ‘stop motion’ world I have never explored.
However, my cross-media practice was difficult to follow.
- Together with the 3D media, the 2d animations, my asset management grew more chaotic..
I use symbolism a lot.
Unreal Engine 5 – Exploration












SCREENPLAY | Final Draft for ‘Shift+Ctrl+Del’
Shift Control Delete [shift+ctrl+del]
Veronika Ipserova 2023
LCC BA Animation Arts
INTRO CREDITS
S H I F T
C O N T R O L
D E L E T E
- LIVING ROOM / DAY
Parents singing ‘Happy Birthday’
POV HANDS UNCOVER EYES
DARKNESS TO LIGHT
A sleek smartphone in its box
A brief feeling of surprise
A massive feeling of joy on the Polly’s face and a look directed at her parents (out of shot).
- BEDROOM / DAY
360 OF THE PHONE
Scrolling
HAPPY SONG
- BEDROOM / NIGHT
POV scrolling through social media feed on smartphone.
POLLY, young teenager, mousy hair.
It’s all pink and pretty. Suddenly one video is a horror video.
She is scared but intrigued.
V.OFF FROM PHONE (SVENGALI’S VOICE)
Shift, control, delete.
POV: feed shows Satisfying sounds and keys.
Song
Down the rabbit hole
Wonderland
A palace of your own
You can do what you want
/CLOSEUP/
Face surprised/mixed feelings as she faces this content
She stares and stares and it stares back at her
Every time there is a cut, she looks more like a rabbit
She sees herself in the mirror and freaks out.
Her parents knocking on the door.
PARENTS / off screen
Dinner’s ready!
Polly!
Are you there Polly?
Polly is even more creeped out.
SVENGALI An echoing voice says
Shift, control, delete is the shortcut
umps into the rabbit hole that appeared on her iPhone, iPad and desktop computer – it is clearly the biggest one she can get through.
- OTHER SIDE / NO MAN’S LAND
Hyperpop song : this is my palace in no man’s land
It’s her room but without the parents just hermetic silence and strange lighting.
She goes back into bed. Everything looks really cool and aesthetic.
An aesthetic spider web starts growing
It grows and it catches her in. she can’t move.
V.OFF SVENGALI
Just look at the screen!
The phone levitates towards her face and floats.
V.OFF SVENGALI
You can scroll with your eyes.
She is paralysed and scrolls with her eyes.
It is obvious she is not enjoying it.
She starts screaming.
‘Let me out’
Svengali
You can go live, but you cannot escape.
fOR THE FIRST TIME WE SEE HIM SITTING APPEARED FROM NOTHING BEHIND THE COMPUTER. HE IS STRANGE.
(…)
ARGUMENT
(…)
FINAL SCENE
DOS mood

Inspiration from my own work








